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Behind the Curtain: Student-curated exhibition reveals the art of the photo booth

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Behind the Curtain: Student-curated exhibition reveals the art of the photo booth

Krane Art History Guest Residents Näkki Goranin, left, and Brian Wallis pose in a photo booth that was available in Shain Library on Nov. 13. Wallis gave a keynote lecture in the Chu Room that evening titled
Krane Art History Guest Residents Näkki Goranin, left, and Brian Wallis pose in a photo booth that was available in Shain Library on Nov. 13. Wallis gave a keynote lecture in the Chu Room that evening titled "What is Vernacular Photography?"

After the first working photo booth debuted on Broadway in New York City in 1925, they began to pop up all over the place—in train and bus stations, stores, arcades, amusement parks and on the street. Anyone from any walk of life could step inside. It was a partnership between human and machine; no photographer told subjects how to hold their heads or where to place their arms or whether to smile. In this intimate space, they could do anything; they could scream, cry, kiss, make silly faces.

For a century now, this environment of accessibility, freedom and privacy has produced countless keepsake squares of memorable moments, but also photos for driver’s licenses and passports, for work and school IDs, and for posterity in yearbooks, newspapers and the like. The photos are a declaration: “I was here.” These quick and easy snapshots might not sound like art, but about two dozen Conn students know better.

This fall, students taking “Perspectives on Photography” with Lucy C. McDannel ’22 Professor of Art History and Anthropology Christopher Steiner and Associate Professor of Art History Karen Gonzalez Rice worked for over a month with 2024 Krane Art History Guest Residents Brian Wallis and Näkki Goranin to interpret and curate an exhibit at the College titled Behind the Curtain. The exhibit, which runs through Dec. 17 in Shain Library, showcases “a seldom seen view of one of the most prolific forms of vernacular photography—small photo booth portraits that reveal poignant moments of self-expression: love, friendship, joy and pride.”

Scholar-in-residence Wallis—who is executive director of The Center for Photography at Woodstock in Kingston, New York, and was deputy director and chief curator at the International Center of Photography (ICP) in New York City from 2000 to 2015—and collector-in-residence Goranin—a Vermont photographer and writer who owns the more than 100 photo booth portraits, self-portraits and related ephemera featured in Behind the Curtain—are the second pair of distinguished scholars and collectors to be selected for participation in the annual Krane Art History Guest Residency Program, which began in 2023. The Department of Art History and Architectural Studies runs the residency, which is supported by a gift from College Trustee Jonathan Krane ’90.

We all know what vernacular photography is. … It is the people’s photography.

Brian Wallis, 2024 Krane Art History Scholar-in-Residence

“The program that Chris and Karen have established here is really revolutionary,” Wallis said, “and everyone who is engaged with it as student curators or as visitors is really quite lucky, because there isn't anything else like this in the world—especially this curatorial program that’s focusing on vernacular photography.”

Students installed the exhibit, which officially opened Nov. 13. For four hours that evening, a few hundred people, including students, faculty, staff and the Krane residents, enjoyed a rented photo booth in Shain foyer. In the Chu Room, Wallis gave the keynote lecture, “What is Vernacular Photography?” About 99% of all photos fall into this category, he said, displaying numerous examples on the screen behind him to illustrate his hour-long talk. “We all know what vernacular photography is. It’s all those photographs that we have, that we cherish, that we compile in our phones and in our photo albums and in shoe boxes. … It is the people’s photography.”

In fact, the Museum of Modern Art, which Wallis said previously “shunned” vernacular photography, has now embraced it and defines it as “an umbrella term used to distinguish fine art photographs from those made for a huge range of purposes, including commercial, scientific, forensic, governmental and personal.” 

Students taking “Perspectives on Photography” with Lucy C. McDannel ’22 Professor of Art History and Anthropology Christopher Steiner, second from left, and Associate Professor of Art History Karen Gonzalez Rice, second from right in background, set up Behind the Curtain, an exhibit on vernacular photography through the lens of the photo booth, in Shain Library on Nov. 12. The exhibit runs through Dec. 17.

Vernacular photos may be considered ordinary, but Steiner hopes that, with the Krane residents’ help, his students will continue to see what makes them special.

“By introducing our students to such distinguished scholars and leaders in their field, it is our hope that students will recognize the importance of photography and photo collecting in the study of art history, and in the social construction of contemporary identities,” he said.

One of those students is Eva Ross ’25, a government and art history double major from Washington, D.C. “Having access to the private collection of Näkki Goranin was a unique privilege and an amazing introduction to the often overlooked field of vernacular photography as seen through the lens of the photo booth,” she said. “Being able to curate this exhibition with not only Goranin, who herself is an artist and expert in the field, but also Brian Wallis, a distinguished curator who has worked on and overseen more than 150 exhibitions himself, was a truly comprehensive experience.”

Ella Feury ’27 an art and art history double major from Lynnfield, Massachusetts, who is also pursuing a Museum Studies Certificate, agreed. “Throughout the process of curating this exhibition, the professors have allowed us to take a hands-on approach, so seeing the final result of our work come together has been extremely fulfilling.”

L-R: Aspen Thompson-Langner ’27, Allie Vidinha ’27, Ava Gebhart ’27 and Theo Andres ’27 crowd into a photo booth on the opening night of the student-curated exhibit ”Behind the Curtain” in Shain Library on Nov. 13.
“Perspectives on Photography” students prepare the “Behind the Curtain” exhibition in Shain Library.
Students snap photo booth photos during the exhibition opening.



November 21, 2024

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